She represented a run of luck on the Victorian goldfields; his sagacious
moderation; long days of planning, of loving care in building; the
great joy of his youth, the incomparable freedom of the seas; a perfect
because a wandering home; his independence, his love--and his anxiety.
He had often heard men say that Tom Lingard cared for nothing on earth
but for his brig--and in his thoughts he would smilingly correct the
statement by adding that he cared for nothing _living_ but the brig.
To him she was as full of life as the great world. He felt her live in
every motion, in every roll, in every sway of her tapering masts,
of those masts whose painted trucks move forever, to a seaman's
eye, against the clouds or against the stars. To him she was always
precious--like old love; always desirable--like a strange woman; always
tender--like a mother; always faithful--like the favourite daughter of a
man's heart.
For hours he would stand elbow on rail, his head in his hand and
listen--and listen in dreamy stillness to the cajoling and promising
whisper of the sea, that slipped past in vanishing bubbles along the
smooth black-painted sides of his craft. What passed in such moments
of thoughtful solitude through the mind of that child of generations of
fishermen from the coast of Devon, who like most of his class was
dead to the subtle voices, and blind to the mysterious aspects of the
world--the man ready for the obvious, no matter how startling, how
terrible or menacing, yet defenceless as a child before the shadowy
impulses of his own heart; what could have been the thoughts of such a
man, when once surrendered to a dreamy mood, it is difficult to say.
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