These columns are alternately simple and
compound. The latter are square pilasters, each fronted by a
cylindrical column, which of course projects farther into the nave than
the simple columns; and thus the nave is divided into bays. This system
is imitated in the gothic cathedral, at Sens. The square pilaster ceases
at about four-fifths of its height: then two cylindrical pillars rise
from it, so that, from that point, the column becomes clustered. Angular
brackets, sculptured with knots, grotesque heads, and foliage, are
affixed to the base of these derivative pillars. A bold double-billeted
moulding is continued below the clerestory, whose windows adapt
themselves to the binary arrangement of the bays. A taller arch is
flanked by a smaller one on the right or the left side, as its situation
requires. These are supported by short massy pillars: an embattled
moulding runs round the windows.
"In the choir the arches become pointed, but with Norman mouldings: the
apsis is a re-construction. In that portion of the choir, which seems
original, there are pointed windows formed by the interlacing of
circular arches: these light the gallery.
"The effect produced by the perspective of the interior is lofty and
palatial. The ancient masonry of the exterior is worthy of notice.
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